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NTNU – THE FACULTY OF ARCHITECTURE AND FINE ART

25

The theory elements need focus – how to implement them

and what subjects are important.

Challenges for the leadership

• Make sure there are development plans for the

academic staff.

• It is probably a painful but necessary job to consider the

quality of the Master courses, develop the best ones,

and replace or change those which are not up to

standard.

Ideas for solutions/methods to develop

• One should discuss whether there is one or several

paths to becoming an architect and, if there are several,

which ones they are.

• Student intake should be addressed.

• Grades should be addressed.

• The stage between Bachelor and Masters is a critical

point in assessing both the study and the student.

7.c. Content

STRENGTHS

NTNU is an architectural education with a very wide

approach, a willingness to embrace many areas, and to con-

tinue to transform itself. In addition to the more traditional

building architecture, there is a strong field of urbanism. At

the same time the school is exceptional in the Nordic coun-

tries for its 1:1 building studios, or live studios. The duality

of a very local, climate specific context and an orientation to

the world, is intriguing. So is the stress on interdisciplinary

work and group work.

OBSERVATIONS and EVALUATION

What are the potential strengths particular to NTNU?

Knowledge

In terms of knowledge, the School is widely acknowledged

for its technical-oriented architectural competence. This

may no longer be valid, but would probably be possible to

revive, the reputation still being vivid.

Given the position of the School, both geographically in

mid-Norway, and as a part of a university focusing on water

and energy, one would think there would be a potential for

specializing in cold climate energy solution and building

technology. The interdisciplinary weeks within the university

seem to have been a success, and could perhaps be devel-

oped further.

In the Bachelor curriculum, each course seems to have a

thoroughly tested model for what it should contain. This is

a positive quality, but might lead to fatigue on the teachers´

side, if the same course is given every year. Is a shuffling

of the teachers discussed, as well as the theme for the

courses?

Theoretical input is addressed by the students as very

variable, and sometimes invisible in terms of the theory

being swallowed up by the design course. There seem to be

a great possibility for improvement of the theoretical aspect,

both in terms of the overall plan (what should be addressed)

and how to integrate it in the courses. Could researchers

have more direct impact on the courses? How does the

architectural faculty incorporate and exploit the fact that

they are a part of a university with a number of faculties with

related knowledge? Who is formulating the big picture of the

study´s content, and how are curriculum decisions made,

both in theory and design courses?

TRANSark as a pedagogic model seems an interesting

asset and an important field of consciousness for a part of

the academic staff. It seems a little unclear to the Commit-

tee exactly how TRANSark is intended to be used, i.e. if it

is a tool, a forum, a course or a method. Many resourceful

people from the academic staff are involved in this initiative,

which is a strength. However, this group might also be hard

to oppose to for those who are not buying it as an academic

model suitable for their course.

Skills and when to gain them

The live studios (1:1 and hands on) have become a core at

NTNU, and are one of the School’s unique selling points for

international students. The live studios cannot be a substi-

tute for more complex design courses, but as a semester

course they are very valuable, comparable to the furniture

workshop experience architecture students receive in Co-

penhagen.

There is also a solid basic traditional architecture education

in the school. These courses are popular, and it is important

that there are enough of them to make sure that those who

want to will be sufficiently trained in design. Is this the case

at present?