Program "Plays, Places and participants"
Quadrille
Program "Plays, Places and Participants"
Program "Plays, Places and Participants"
Plays, Places and Participants
Light Opera, Dance and Theatre around 1800
Monday November 4th
10.30 Coffee, tea and registration
11.00 Welcome
11.30 Keynote lecture by Sarah McCleave: What Place for a Woman? Theatre Dance in late Georgian London
12.15 Lunch
13.15 Vera Grund: “Ce mot de Wahrheit, quelle expression elle lui donna” – the Melodrama, its Performances and Performers in late Eighteenth-Century Vienna
13.45 Sanna Iitti: The Sentimental Style in W.A. Mozart’s Cosi van tutte
14.15 Mårten Nehrfors: Changing Views on Nationalism in late 18th Century German Opera
14.45 Coffee break
15.00 Anne Helgesen: A Cither and Purse: Reception and Evaluation of Musical Performances by Berit Pynten
15.30 Anne M. Fiskvik: Two Itinerant Dancing Couples who contributed to Norwegian Dance History
End by 16:00
18:00 Evening excursion to and guided tour of Ringve Museum (http://ringve.no/en/ )
Tuesday November 5th
09.15 Keynote lecture by David Charlton: Identities of Opéra-comique: Questions of Private Performance and Ownership
10.00 Coffee break
10.30 Katherine Hambridge: Performing History: Musical Representations of the Past at the Berlin Nationaltheater, 1800–1815
11.00 Jens Hesselager: Musical Battles in “Vormärz” Denmark: Siegfried Saloman in Copenhagen – Tordenskjold at Dynekilen
11.30 Sofie Taubert: Preparing Wonder and Spectacle for the Romantic Era: Carl Maria von Weber’s Oberon as Transfer of Cultural Tendencies and Historical Discourses
12.00 Lunch
13.00 Owe Ander: Four Marriages and a Funeral: The Kapellmeisters in Musical Life in Sweden around 1800
13.30 Karin Hallgren: Representative Performances and Political Propaganda: The Royal Theatre in Stockholm 1810–1850
14.00 Astrid von Rosen: Re-theorizing Theatrical Space as Affective Intensity: Sillgateteatern, Transformation, and Corporeality in Gothenburg around 1800
14.30 Coffee break
14.45 Martin Wåhlberg: Opéra-comique, the Novel and the Hierarchy of Genres in Eighteenth Century France
15.15 Panel. End by 16:00
19:00: Conference dinner at Rica Nidelven Hotel
Wednesday November 6th
09.15 Keynote lecture by Susan Maslan: Democratizing the Theater in Revolutionary France
10.00 Coffee break
10.30 Judith Hawley: Elizabeth and Keppel Craven and the Domestic Drama of Mother–Son Relations
11.00 Jonathan Hicks: Tom and Jerry and Don Giovanni; or, Theatrical Life in 1820s London
11.30 Oskar Cox Jensen: The Street as a Stage; or, The Afterlives of Theatrical Songs in England, 1803–1815
12.00 Lunch
13.00 Alette Scavenius: The Dramatic Societies and the Theatrecraze 1770–1850 and their Importance for the Private Theatres in Denmark
13.30 Jørgen Langdalen: The Dandy in the Theatre – Transformations of Genres and Audience Experiences in Kierkegaard’s Copenhagen
14.00 Coffee break
14.15 Cecilie L. M. Stensrud: Light Opera – a Favourite or a Substitute?
14.45 Panel
11.30 Final discussions and closing. End by 16:00